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Kamis, 31 Desember 2015

Ebook , by Dwight N. Hopkins

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, by Dwight N. Hopkins

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Print Length: 248 pages

Publisher: ORBIS (April 10, 2014)

Publication Date: April 10, 2014

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Language: English

ASIN: B00JJWD1EC

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Amazon Best Sellers Rank:

#476,428 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Clearly written with a strong sense of reality

The book was well written and is a meaningful contribution to the discussion on black liberation. I was hoping that there would have been a section on economics and theology. Overall it was very insightful

A must!

This book is in good shape to be used. It is almost like new. Good price for this product. Know that I will thoroughly enjoy it.

Get a grip!!! This is one of the best examples of distorting the Word of God that is in print and not to mention a disservice to African American Churches committed to teaching and preaching an unadulterated Gospel. The author and adherents to this line of thinking would do well to REREAD Gal.1:6-8. I would also question the credibility of any seminary or institution that seriously subscribes to the ideology advocated by this book.Gal 3:3 3 Are you so foolish? Having begun in the Spirit, are you now being made perfect by the flesh?NKJV

Dwight N. Hopkins is a professor of theology at the University of Chicago and an ordained American Baptist minister. He has written/edited many other books, such as Shoes That Fit Our Feet: Sources for a Constructive Black Theology,Heart and Head: Black Theology: Past, Present, and Future,Black Theology USA and South Africa: Politics, Culture, and Liberation,Black Theology-Essays on Gender Perspectives,Black Theology-Essays on Global Perspectives,Down, Up, and Over: Slave Religion and Black Theology, etc.He wrote in the Introduction of this 1999 book, “This book is an introduction to black theology as a prophetic theology of liberation. It examines the relation between the black experience and faith in God as the liberator of that experience… This book argues that the unique contribution of black theology is discovering the core message of personal and structural liberation in the Hebrew and Christian Scriptures and connecting this message with God’s presence in African Americans’ movement for justice.” (Pg. 6)He states, “The black church’s claims that it believes in and works with a God of liberation have not always squared with its action… But how does one know if the nature of the faith and the demonstration of a practice of freedom are in line with the spirit of liberation? A black theology of liberation aids the resolution of this inconsistency. In the context of the African American church, black theology considers the following question: What does it mean to be black and Christian for a people situated in the midst of American racism and called by God to be full human beings?... Black theology… is the effort of African American people to claim their blackness and their freedom as people of God. Freedom comes when black poor folk, led by the African-American church, live out their freedom because God helps them in their daily struggle against personal pain and collective oppression.” (Pg. 4-5)He outlines four “stages” of Black Theology: “The first stage of black theology in the United States began on July 31, 1966… [when] the National Committee of Negro Churchmen… published a full-page statement in the New York Times… to relate the gospel of Jesus to the black community’s need for power… This first stage … included debates between radical African American clergy and their white colleagues in Christian churches… The creation of the Society for the Study of Black Religion in 1970 marked black theology’s transformation into stage two. In this stage, black theology became an academic discipline in which black religious scholars emphasized religious arguments and debates among themselves… Stage three gave birth to the Black Theology Project (1975)… [which] reflected black theology’s turn toward liberation theologies in the Third World… The first three phases of black theology developed under the pioneering leadership of the first generation of pastors and professors. The fourth and present stage commenced around the middle of the 1980s and involves a second generation of black religious scholars and pastors. These thinkers emphasize an exploration of theology from any and all aspects of black life… Moreover, this fourth stage shows black theology deepening its ties in both the black church and the academy.” (Pg. 7-11)He explains, “This chapter [1] introduces the four basic building blocks that were used to construct a black theology of liberation in response to the question, What does it mean to be black and Christian? First, this chapter examines the historical context of slavery.” (Pg. 15) He continues, “The second building block … is a rereading of the Bible from the perspective of the majority of society, those who are poor and working people. Black theology of liberation believes in a relationship between God’s freeing activity in the African American community and that same liberating activity documented in the Hebrew and Christian Scriptures.” (Pg. 23) Later, he adds, “The major lesson that the eventual founders of the black theology of liberation took from the civil rights movement had to do with redefining what it meant to be church… the movement redefined the church as a militant, radical manifestation of Jesus Christ in the streets on behalf of the poor and marginalized.” (Pg. 34)He goes on, “The black power movement, the third incentive for the rise of a black theology of liberation, began with the call for black power during a civil rights march on June 16, 1966… Stokely Carmichael… specifically chose this march to launch his slogan. Black power resistance therefore grew directly from the civil rights movement.” (Pg. 34) He says, “the fourth and final building block … is method (i.e., God’s revelation today and in the future). Method helps the African American church to carry out the content of black theology. And this content is God’s spirit of liberation located among the poor, whose freedom has implications for the full humanity of all. For the Christian, the decisive revelation of this divine content is Jesus Christ.” (Pg. 41)He then proceeds to outline, “Where does the African American poor meet God’s presence and action for liberation? Where and how does God’s spirit of liberation reveal itself? There are at least six important sources in black theology of liberation. The first source of black theology is the Bible. Today’s poor African Americans struggle for freedom and encounter oppressed conditions similar to those in the Hebrew and Christian Scriptures… Black theology’s second source if the African American church… The African American church still is the most organized institution controlled solely by black people.” (Pg. 42-43)He continues, “The third source of black theology is a faith tradition of struggle for liberation… African American women’s experience makes up the fourth source… It would be a contradiction for black theology to link itself to liberation struggles yet voice only the minority male issues within its community. The fifth source of black theology is culture---art, literature, music, folktales, black English, and rhythm… The sixth source if a radical politics. Here politics is the ability to determine the direction that the African American community can pursue.” (Pg. 44-45)He observes, “Even today, the African American church offers the best opportunity to mobilize and organize huge sections of the black community for the struggle for its full spiritual and material humanity, a state ordained by God but blocked by visible and invisible structure of evil… Because of the black church’s tradition and potentiality, the political theologians are correct is using the discipline of systematic theology to critically question the church and to remind it of its prophetic calling for the full spiritual and material liberation of the poor. The cultural and political trends contrast and complement each other… Each fills in what the other lacks.” (Pg. 86)He suggests, “Afrocentricity brings to black theology a unique dimension which instructs the black church and community to base their entire religious and everyday lives on positive African values, beliefs, and practices… Afrocentricity is a recent attempt to replace Europe with Africa as the core of black religious worship and scholarship… Afrocentricity, consequently, undertakes a comprehensive project of deconstruction. Afrocentric believers debunk, disentangle, and demythologize the supremacy of Europe as the nucleus of black thought and belief.” (Pg. 97)He notes, “The second generation of black theologians … should continue to tie together all areas of study and perspectives [by] a clear focus on the poor. The overwhelming majority in the African American church and community falls within this category. Furthermore, the Christian gospel’s emphasis on the bottom of society likewise determines the vocational direction of black theology. Such a pro-poor posture will also sharpen the distinctions between a ‘black theology of liberation’ and a vague ‘black theology.’ … A second challenge is to assume that intellectual work remains in service to the church and the community.” (Pg. 122)He points out, “Womanist theologians and ethicists have impacted and advanced black theology by their consistent and holistic call for recognition of all types of oppressions affecting the African American community and for the need for various approaches to resolve these theological and ethical problems. A unique contribution of black women is that their very lives make up an identity of gender, racial, and class strands within one body, mind, and spirit called the black woman. Womanists, moreover, have plowed persistently the diverse fields of black women’s experience… to cultivate lessons for today. Sources range from talking with friends to reading obscure scholarly texts.” (Pg. 156)He states, “liberation theology asserts that the faith of the poor in the experience of God’s liberation must move to the center of history. The poor, like European and white North American theologians, are human, and therefore they can also think and do theology. The affirmation of poor humanity’s theological experience with God is subversive precisely because this allows the poor to no longer be dependent on the authority of traditional dominant theology. Once the poor and oppressed sections of society become independent theologically, assured of their own experience and their own story, and continue to pursue Gods demand for liberation, they have the potential to change the status quo. Finally, Jesus Christ offers love, liberation, and salvation for all of humanity who accept the gospel and side with the poor… Black theology of liberation and Third World liberation theologies agree that all of humanity is freed when the majority of the world, who are poor and marginalized, are freed.” (Pg. 180)He summarizes, “The primary question for this book has been: What does it mean to be black and Christian? The answer offered has been that [it] … means to have faith and a practice which experience God as a presence and reality of liberation for the least in the African American community. Consequently, the purpose of a black theology of liberation is to work with the church and community to see God’s will of liberation through Jesus Christ as similar to black folk’s attempts at liberation.” (Pg. 194)He concludes, “In a word, an introduction to a black theology of liberation draws us into increased intellectual pursuits and a more practical faith grounded in justice. However, this is not merely a subjective justice, but a faith and vision to work with the divine will of liberation. The God of freedom, Jesus Christ the liberator, and the empowering Holy Spirit are manifest in what it means to be black and Christian today. The ultimate challenge to realize the full humanity of all---anchored in a focus on the least in the African American community---is the development of a way of being black in the world such that we produce a more comprehensive faith and practice for ourselves and for our children. The Spirit of hope, determination, and liberation continues to move African Americans. This world didn’t make that Spirit, and this world can’t take it away.” (Pg. 202)This book is an example of the “second generation” of black theologians, and will be of great interest to anyone studying Black Theology and related fields.”

Dwight N. Hopkins is a professor of theology at the University of Chicago and an ordained American Baptist minister. He has written/edited many other books, such as Shoes That Fit Our Feet: Sources for a Constructive Black Theology,Heart and Head: Black Theology: Past, Present, and Future,Black Theology USA and South Africa: Politics, Culture, and Liberation,Black Theology-Essays on Gender Perspectives,Black Theology-Essays on Global Perspectives,Down, Up, and Over: Slave Religion and Black Theology, etc.He wrote in the Introduction of this 1999 book, “This book is an introduction to black theology as a prophetic theology of liberation. It examines the relation between the black experience and faith in God as the liberator of that experience… This book argues that the unique contribution of black theology is discovering the core message of personal and structural liberation in the Hebrew and Christian Scriptures and connecting this message with God’s presence in African Americans’ movement for justice.” (Pg. 6)He states, “The black church’s claims that it believes in and works with a God of liberation have not always squared with its action… But how does one know if the nature of the faith and the demonstration of a practice of freedom are in line with the spirit of liberation? A black theology of liberation aids the resolution of this inconsistency. In the context of the African American church, black theology considers the following question: What does it mean to be black and Christian for a people situated in the midst of American racism and called by God to be full human beings?... Black theology… is the effort of African American people to claim their blackness and their freedom as people of God. Freedom comes when black poor folk, led by the African-American church, live out their freedom because God helps them in their daily struggle against personal pain and collective oppression.” (Pg. 4-5)He outlines four “stages” of Black Theology: “The first stage of black theology in the United States began on July 31, 1966… [when] the National Committee of Negro Churchmen… published a full-page statement in the New York Times… to relate the gospel of Jesus to the black community’s need for power… This first stage … included debates between radical African American clergy and their white colleagues in Christian churches… The creation of the Society for the Study of Black Religion in 1970 marked black theology’s transformation into stage two. In this stage, black theology became an academic discipline in which black religious scholars emphasized religious arguments and debates among themselves… Stage three gave birth to the Black Theology Project (1975)… [which] reflected black theology’s turn toward liberation theologies in the Third World… The first three phases of black theology developed under the pioneering leadership of the first generation of pastors and professors. The fourth and present stage commenced around the middle of the 1980s and involves a second generation of black religious scholars and pastors. These thinkers emphasize an exploration of theology from any and all aspects of black life… Moreover, this fourth stage shows black theology deepening its ties in both the black church and the academy.” (Pg. 7-11)He explains, “This chapter [1] introduces the four basic building blocks that were used to construct a black theology of liberation in response to the question, What does it mean to be black and Christian? First, this chapter examines the historical context of slavery.” (Pg. 15) He continues, “The second building block … is a rereading of the Bible from the perspective of the majority of society, those who are poor and working people. Black theology of liberation believes in a relationship between God’s freeing activity in the African American community and that same liberating activity documented in the Hebrew and Christian Scriptures.” (Pg. 23) Later, he adds, “The major lesson that the eventual founders of the black theology of liberation took from the civil rights movement had to do with redefining what it meant to be church… the movement redefined the church as a militant, radical manifestation of Jesus Christ in the streets on behalf of the poor and marginalized.” (Pg. 34)He goes on, “The black power movement, the third incentive for the rise of a black theology of liberation, began with the call for black power during a civil rights march on June 16, 1966… Stokely Carmichael… specifically chose this march to launch his slogan. Black power resistance therefore grew directly from the civil rights movement.” (Pg. 34) He says, “the fourth and final building block … is method (i.e., God’s revelation today and in the future). Method helps the African American church to carry out the content of black theology. And this content is God’s spirit of liberation located among the poor, whose freedom has implications for the full humanity of all. For the Christian, the decisive revelation of this divine content is Jesus Christ.” (Pg. 41)He then proceeds to outline, “Where does the African American poor meet God’s presence and action for liberation? Where and how does God’s spirit of liberation reveal itself? There are at least six important sources in black theology of liberation. The first source of black theology is the Bible. Today’s poor African Americans struggle for freedom and encounter oppressed conditions similar to those in the Hebrew and Christian Scriptures… Black theology’s second source if the African American church… The African American church still is the most organized institution controlled solely by black people.” (Pg. 42-43)He continues, “The third source of black theology is a faith tradition of struggle for liberation… African American women’s experience makes up the fourth source… It would be a contradiction for black theology to link itself to liberation struggles yet voice only the minority male issues within its community. The fifth source of black theology is culture---art, literature, music, folktales, black English, and rhythm… The sixth source if a radical politics. Here politics is the ability to determine the direction that the African American community can pursue.” (Pg. 44-45)He observes, “Even today, the African American church offers the best opportunity to mobilize and organize huge sections of the black community for the struggle for its full spiritual and material humanity, a state ordained by God but blocked by visible and invisible structure of evil… Because of the black church’s tradition and potentiality, the political theologians are correct is using the discipline of systematic theology to critically question the church and to remind it of its prophetic calling for the full spiritual and material liberation of the poor. The cultural and political trends contrast and complement each other… Each fills in what the other lacks.” (Pg. 86)He suggests, “Afrocentricity brings to black theology a unique dimension which instructs the black church and community to base their entire religious and everyday lives on positive African values, beliefs, and practices… Afrocentricity is a recent attempt to replace Europe with Africa as the core of black religious worship and scholarship… Afrocentricity, consequently, undertakes a comprehensive project of deconstruction. Afrocentric believers debunk, disentangle, and demythologize the supremacy of Europe as the nucleus of black thought and belief.” (Pg. 97)He notes, “The second generation of black theologians … should continue to tie together all areas of study and perspectives [by] a clear focus on the poor. The overwhelming majority in the African American church and community falls within this category. Furthermore, the Christian gospel’s emphasis on the bottom of society likewise determines the vocational direction of black theology. Such a pro-poor posture will also sharpen the distinctions between a ‘black theology of liberation’ and a vague ‘black theology.’ … A second challenge is to assume that intellectual work remains in service to the church and the community.” (Pg. 122)He points out, “Womanist theologians and ethicists have impacted and advanced black theology by their consistent and holistic call for recognition of all types of oppressions affecting the African American community and for the need for various approaches to resolve these theological and ethical problems. A unique contribution of black women is that their very lives make up an identity of gender, racial, and class strands within one body, mind, and spirit called the black woman. Womanists, moreover, have plowed persistently the diverse fields of black women’s experience… to cultivate lessons for today. Sources range from talking with friends to reading obscure scholarly texts.” (Pg. 156)He states, “liberation theology asserts that the faith of the poor in the experience of God’s liberation must move to the center of history. The poor, like European and white North American theologians, are human, and therefore they can also think and do theology. The affirmation of poor humanity’s theological experience with God is subversive precisely because this allows the poor to no longer be dependent on the authority of traditional dominant theology. Once the poor and oppressed sections of society become independent theologically, assured of their own experience and their own story, and continue to pursue Gods demand for liberation, they have the potential to change the status quo. Finally, Jesus Christ offers love, liberation, and salvation for all of humanity who accept the gospel and side with the poor… Black theology of liberation and Third World liberation theologies agree that all of humanity is freed when the majority of the world, who are poor and marginalized, are freed.” (Pg. 180)He summarizes, “The primary question for this book has been: What does it mean to be black and Christian? The answer offered has been that [it] … means to have faith and a practice which experience God as a presence and reality of liberation for the least in the African American community. Consequently, the purpose of a black theology of liberation is to work with the church and community to see God’s will of liberation through Jesus Christ as similar to black folk’s attempts at liberation.” (Pg. 194)He concludes, “In a word, an introduction to a black theology of liberation draws us into increased intellectual pursuits and a more practical faith grounded in justice. However, this is not merely a subjective justice, but a faith and vision to work with the divine will of liberation. The God of freedom, Jesus Christ the liberator, and the empowering Holy Spirit are manifest in what it means to be black and Christian today. The ultimate challenge to realize the full humanity of all---anchored in a focus on the least in the African American community---is the development of a way of being black in the world such that we produce a more comprehensive faith and practice for ourselves and for our children. The Spirit of hope, determination, and liberation continues to move African Americans. This world didn’t make that Spirit, and this world can’t take it away.” (Pg. 202)This book is an example of the “second generation” of black theologians, and will be of great interest to anyone studying Black Theology and related fields.”

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Amazon Best Sellers Rank:

#239 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This ebook on setting up and maintaining a To Do List is a very simple but effective system. With so much to do, its great that it didn't take a long time to read! I only spent 2 hrs and that was including taking some notes. I probably wouldn't need notes, but I just like the quick reference.

For me, this is an excellent technique for organizing a to do list. However, my one HUGE disappointment is that there are no diagrams anywhere. I would really, really like to see diagrams or examples of how this list will work. Eg. a visual sample of a to do list. At least for me, one or two detailed diagrams would make it so much clearer. In fact, as much as I like these techniques, I find myself slogging through the book, writing numerous notes and generally causing a whole lot of stress. I do notice that he has seminars and classes, but I cannot afford them.. The book doesn't seem quite finished to me. It's almost like it's an advertisement for his classes. I am really disappointed and frustrated.

Task lists are a time honored productivity tool, this book adds additional detail on how to implement a good task list for your needs. I found it quite valuable.The need for a piece of software to address this is I think compelling, but most are insufficient. It is also hard to walk the line between Project management lite, and a more extensive task list.1. Decide what to put on the list which includes when2. Decide on the description and size of the task3. Stretching your performance, w/o over scheduling and getting into the habit of falling short and this being acceptable4. Motivation Feedback to allow the Dopamine to work for youThere was a profound book called "The Laws of Simplicity" which I think also overlaps and extends some of the concepts here. The brain is a machine and understanding how it works, is important to optimize performance. Focus is critical in our world today, complexity and noise can prevent optimum performance.The best point of the Task list is to help you decide the most important tasks.I think the skill of operating a good task list takes time to fully perfect for you, so I recommend reviewing the book periodically.

Thanks Damon, I don't tend to write reviews, however, this is the best book I've read on To-do lists! I've read so many, but there always seems to be a flaw that makes me lose track.... I purchased this after reading "The Time Chunking method", read it overnight, now I look forward to implementing the strategy and reading your next book. It will be nice to stop reading about all the different list methods & just get on with it.... Well done - your books are simple to follow, quick to read & straight to the point - exactly what a busy person needs. Thank you!

This is a quick read over two days! I enjoyed the writing style (I edit papers for my career). I already liked lists....and I thought I was ok at them. But I'm constantly feeling overwhelmed with my growing lists at work (managing a team of 5 and hiring a new person every month) AND my house has a list AND the kids school stuff has another list. The first day I tried some tips - I was amazed at the success so much so that I was excited (really excited) to try again tomorrow. I was able to apply some of the tips right away (use action verbs when writing each task; assign a duration time for each task). Wow what a difference. I'm sharing the book with my team and my fellow team managers. I love batching short tasks now.

To-Do List Formula is a well-written and very detailed examination of all things to-do-list. On paper, this would figure to be a pretty boring book. I mean, not many people are going to expect a book about to-do lists to be riveting reading. But Damon Zahariades is an exceptionally gifted writer. And he pulls it off nicely. Even for such a dry topic as to-do lists.In a nutshell, Damon clearly explains exactly why most people's approach to to-do lists end up in futility and failure. Then he provides the steps you can take to transform your to-do lists into powerful time-saving tools. But he doesn't stop there. Damon also examines the 10 Most Popular To-Do List Systems from top to bottom. Advantages and pitfalls. And then helps you decide which is best for you.It's an excellent and very thorough how-to guide. The only thing lacking are examples of the various to-do list systems in action. A few graphics or visuals could have helped with the big picture. Even so, that omission isn't that big a deal.By the way, the rest of this review is a bit nostalgic. So you can skip this portion if you like.I was pleasantly surprised and happy to see Damon Zahariades' name pop up here on Amazon. We go way back. Not as in personal friends. More like a comforting blast from the past. Damon was around way back in the early days of Internet Marketing when us old-timers used to happily shell out $47 bucks for PDF How-To "ebooks".I was on Damon's email list and thoroughly enjoyed his entertaining style of writing. He could make dry marketing topics sound like a big-time edge-of-your-seat Hollywood thriller. I even purchased a $47 "ebook" from Damon called The Special Report Bible. Mainly because I wanted to pay him back for all the excellent content he provided in his newsletters. But time marches on, and the old Internet Marketing crowd faded into the sunset, long gone. At least, that's what I thought. Good to see Damon back in the saddle again...

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Minggu, 27 Desember 2015

Ebook Download Norman's Navy Years: 1942-1959 (Images of America)

Ebook Download Norman's Navy Years: 1942-1959 (Images of America)

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Norman's Navy Years: 1942-1959 (Images of America)

Norman's Navy Years: 1942-1959 (Images of America)


Norman's Navy Years: 1942-1959 (Images of America)


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Norman's Navy Years: 1942-1959 (Images of America)

About the Author

The story of Norman's Navy Years: 1942-1959 is told through photographs and memorabilia housed in the Cleveland County Historical Society archive. Suzanne H. Schrems, PhD, and Lt. Col. Vernon R. Maddux, USMC (Ret.), are residents of Norman and board members of the Cleveland County Historical Society. Both are authors of books about Oklahoma and the American West, including the Arcadia title Norman: 1889-1949. The proceeds from this book will go directly to the Cleveland County Historical Society to support Norman's Moore-Lindsay Historical House Museum.

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Product details

Series: Images of America

Paperback: 128 pages

Publisher: Arcadia Publishing (February 29, 2016)

Language: English

ISBN-10: 1467115649

ISBN-13: 978-1467115643

Product Dimensions:

6.5 x 0.3 x 9.2 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#789,807 in Books (See Top 100 in Books)

Wonderful and insightful look into an inland Navy base during WW II and after. Oklahoma most always has wind. The Navy did a great job of picking a place to train carrier pilots and get excellent support from the people of the heartland.

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Kamis, 24 Desember 2015

PDF Ebook I Am Thankful (Rodale Kids Curious Readers/Level 2)

PDF Ebook I Am Thankful (Rodale Kids Curious Readers/Level 2)

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I Am Thankful (Rodale Kids Curious Readers/Level 2)

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I Am Thankful (Rodale Kids Curious Readers/Level 2)

Review

"Positive themes in a beginning reader format...The message here, and in the simultaneously published companion book, I Am Thankful (2017), is a good one and may encourage younger children to think about how to make their world a better place"--Booklist"A young boy expresses gratitude for all the many blessings in his life in this kickoff to a new series for early readers...With cheerful digital illustrations that mirror the simple yet joyful text, this story offers early readers a gentle reminder to find joy and appreciation in everyday experiences." --SLJ Reviews

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About the Author

Suzy Capozzi is a children’s book editor and writer. She has worked on titles for the Random House early reader program in addition to numerous other beginner and leveled readers. She lives in New York’s Hudson Valley.Eren Unten is a children’s book illustrator from Los Angeles who loves telling stories through pictures. She has illustrated several Little Golden Books for Nickelodeon Studios. When she’s not drawing or painting, she enjoys going on adventures with her family. See more of her work online at erenunten.com.

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Product details

Age Range: 4 - 6 years

Grade Level: Preschool - 1

Series: Rodale Kids Curious Readers/Level 2 (Book 1)

Paperback: 32 pages

Publisher: Rodale Kids; Stk edition (October 10, 2017)

Language: English

ISBN-10: 1623368766

ISBN-13: 978-1623368760

Product Dimensions:

6 x 0.2 x 9 inches

Shipping Weight: 4.2 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#419,627 in Books (See Top 100 in Books)

Nice, simple book. My students liked it.

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Rabu, 23 Desember 2015

PDF Ebook Social Dance: Steps to Success, by Judy Patterson Wright

PDF Ebook Social Dance: Steps to Success, by Judy Patterson Wright

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Social Dance: Steps to Success, by Judy Patterson Wright

Review

"Social Dance is a must-have for all dancers. Judy Wright covers the essentials of performing both smooth and rhythmic dances in this fun and engaging text." Pamela Haibach, PhD-- Associate Professor, College of Brockport "With more dances, enhanced diagrams, an instructor guide, and an accompanying DVD featuring dances and music, the third edition of Social Dance is a must-have for students. Social Dance makes learning fun! Judi Fey-- Dance Consultant, Anne Arundel County Public Schools "Judy Wright is an exceptional teacher, and her ability to explain proper technique in an easy-to-follow way makes Social Dance a must-have book." Christy Lane-- Dance Educator and Producer, Author of Christy Lane's Complete Book of Line Dancing

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About the Author

Judy Patterson Wright earned her PhD in 1981 in motor learning and motor development from the University of Illinois at Urbana-Champaign, where she focused on the learning process for sequential dance skills and how teachers may facilitate that process. She is an accomplished dancer and educator who has taught social dance at the junior high, high school, college, and community levels since 1971. Dr. Wright's dance experience includes tap, jazz, modern, ballet, social, folk, square, country Western, line, and aerobic dance. She specializes in ballroom and social dance in which she has extensive experience as a competitor, coach, author, and instructor. She has taught courses at Walsh College in Ohio, the University of Illinois at Urbana-Champaign, the University of Tennessee at Chattanooga, Richland Community College in Illinois, and the Wright Way Dance Studio, which she co-owns. She has also presented workshops at the state and national levels for the National Dance Association and AAHPERD, the National Teachers Association for Country Western Dance Instructors, and the National Dance Educators Organization. Wright has judged and competed in dance competitions and specializes in teaching progressive classes and workshops for both social and competitive dancers. Wright and her husband placed second overall in the UCWDC Silver Advanced Showcase Division at the world finals in both 1996 and 1997. They are the 2009 UCWDC couples gold combined world champions. They also won first place in both strictly swing and strictly hustle at the 2012 world finals in Orlando, Florida. In a career spanning 23 years as an acquisitions editor for Human Kinetics, Wright created the format for the Steps to Success activity series (of which her book is a part) while acquiring numerous books related to dance and exercise and remaining active in the dance community. She resides in North Carolina, where she is a member of the Charlotte USA Dance chapter, the Carolina Ballroom Dance Club, and LynnÂ’s Dance Club.

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Product details

Series: Steps to Success

Paperback: 323 pages

Publisher: Human Kinetics Publishers; 3rd ed. edition (November 15, 2012)

Language: English

ISBN-10: 0736095071

ISBN-13: 978-0736095075

Product Dimensions:

8.5 x 0.8 x 11 inches

Shipping Weight: 2.5 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

25 customer reviews

Amazon Best Sellers Rank:

#398,721 in Books (See Top 100 in Books)

This is pretty good idea, but very "wordy" - like they keep giving you a sales pitch - in nearly every paragraph - to keep you interested. We've been dancing for years and were mostly curious to see if they had put lightening in a bottle. Nope. It takes at least a couple of years to become a good dancer, and you'll hear and see or all of this on the way to getting better and better. This won't hurt you, but won't help you an awful lot either. Reading about dancing is nowhere as good as being in a class with a good teacher. As a textbook, this might be OK, but you'll need a class, or, classes for it to really be useful. If you've got twenty extra dollars and are curious - good luck. We'll find someone to give ours to...

I was looking for a dance instruction book with which to refresh some dance steps learned long time ago; this search led me to check out Judy Patterson Wright's Social Dance - Steps to Success (2nd Edition) from the local public library. I was happy enough with this book (with a music CD) and was trying to order the book from Amazon. By sheer luck, I found that there was a third edition, with a DVD. This book and DVD combination is the best value among the many Dance DVD's I have looked at from the local library -- I browsed through about 12 such DVD's.Let me elaborate why I believe this book-DVD-combination is such a fantastic value for me.1. The highly acclaimed book was expanded and brought up to date with new pictures; a couple of additional dance styles as well as expanded chapters (about 100 page additional materials added) make the book itself more than worth the total price;2. The DVD is fantastic -- the demonstrations are clear, attractive, economical in presentation, and contain many more variations for each dance than most other books I have looked at. Male and female separate parts are shown together and therefore eliminated usually boring repeats that eats up unnecessary time. This presentation method represents a clear innovation.3. One of my biggest stumbling block was identifying music and recognizing the underlying beat and matching those with appropriate dance. The instructions and the music CD helped me to overcome this uneasiness for me.I am preparing my retirement and looking for a dancing nights on cruises: with this book and DVD combination, I feel confident that I will be knowledgeable and polished enough to enjoy any and all type of ballroom dances. This is my first review ever on Amazon -- a spontaneous reaction to my gratitude to Judy Patterson Wright and producers of this wonderful book-DVD combination.

I watched the entire dvd and liked the short to the point series of clips for figures of each dance. I was able to go through the dances I was most interested in, and get a good overview in minutes, and then go back and watch each individual figure at my pace. I have been dancing for a few years, so it was easy to follow. A novice to dancing might not be able to digest the info in the fast presentation, but all the info is there on steps, body positioning, leading, following, timing, etc. A great buy!

Social Dance is a great book to learn how to ballroom dance. The instructions are organized very clearly. There are numerous exercises in order to get your muscle memory. My wife and I have really advanced using this book, it really got us off on the "right foot". The book and the DVD complement each other very clearly. If you can't understand something from the text, you can most likely pick it up from the DVD. And if you can't grasp something from the DVD, the book explains the technique very clearly. If you are starting out to dance, or are taking dance lessons and wish to have something to look at when you get home and find you "forgot" most of what the lesson was about; this book can help. I highly recommend it. This book would be a bargain at $100.

Really good one and so much better than the You Tube videos.

Good book, but can't really learn to dance without additional help.

I like the step by step approach.

very good book & dvd

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Selasa, 08 Desember 2015

Free Download Frommer's New York City day by day

Free Download Frommer's New York City day by day

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Frommer's New York City day by day

Frommer's New York City day by day


Frommer's New York City day by day


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Frommer's New York City day by day

About the Author

Pauline Frommer started traveling with her guidebook-writing parents at the age of four months and hasn't stopped since. Her first job in travel was on the website Frommers.com, and eventually she worked her way up to Editor in Chief. Pauline also served as Travel Editor for MSNBC.com for several years, before working with John Wiley and Sons to create the award-winning Pauline Frommer Guidebooks, a 14-book series that won the coveted "Best Guidebook of the Year" title three years in a row from the North American Travel Journalists Association and once from the Society of American Travel Writers)For four years, Pauline created weekly travel segments for CNN's Headline News and CNN's Pipeline. You may also have seen her talking travel on The Today Show, Live with Regis and Kelly, The O'Reilly Factor, NBC Nightly News and ABC World News, Good Morning America, FOX News and every local news station you can name. Her writings have been widely published in everything from Budget Travel Magazine to the Dallas Morning News to Nick, Jr. magazine. She resides in New York City with her husband and two daughters.

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Product details

Series: Day by Day

Paperback: 194 pages

Publisher: FrommerMedia; 5 edition (July 11, 2017)

Language: English

ISBN-10: 1628873302

ISBN-13: 978-1628873306

Product Dimensions:

4.2 x 0.5 x 7.2 inches

Shipping Weight: 7.8 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

24 customer reviews

Amazon Best Sellers Rank:

#39,477 in Books (See Top 100 in Books)

Nice nap! My daughter loves it!

Whether it's your first time going or you're going with someone for the third time and want to know what you really DON'T want to miss, this book is perfect for you. I've been in NYC a few times before and I always ended up seeing the same things, following the same people. This time, however, we actually saw a lot of things worth seeing, and it takes the planning pains out of it. All you need to know is this: Review/scan the book, decide on one of its pre-designed trips (could be full day, trips, romantic, museums, etc) and this book will tell you how to do it. Pressure is off!I didn't expect the prices to be accurate 100% though, as times change, but it was surprisingly useful in giving us an idea of how much we would spend here and there.

I have several of these day-by-day guides for the different cities I've been to. I like that they are compact and can fit in a pocket so I don't have to carry around a huge travel book. There is a small fold-out map in the front cover that was very useful when I was in the city and trying to find my way around. It also has the subway map on it. Frommer does a great job of giving you the information you need in a concise and compact manner. I love these books!

Excellent guide. All the suggestions made our trip better

This guide was invaluable on my trip to New York. I like the itinerary style sections I highly recommend it

This little book was a godsend on our recent 5 day trip to NYC. The way it was laid out made it very easy to navigate and the maps were excellent. The only thing I could say I wished it held was a detailed subway map and clearer information about how to navigate the transit system. It also helped us find a few jewels that we would have passed up if not for the book. Great find!

Good, but i also bought the 2013 NYC guide and it has alot of the same info. This guide does give you some great day trip ideas but you might be better off asking friends or a travel agent to plan a day trip/route for you and just get the complete guide. I found that i didnt want to see half the things suggested and i might have been better off just relying on the other frommers guide

This is a great travel book to carry with you through the city. We actually purchased it in conjunction with one of the map books. It highlights some restaurants, stores, sights and lets you find them by area of the city (which is great when you're in one area of NY and hungry--nothing worse than saying, ooh this sounds good, but it's on the other side of the city).

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Sabtu, 28 November 2015

Get Free Ebook Spectrum Geography, Grade 3: Communities

Get Free Ebook Spectrum Geography, Grade 3: Communities

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Spectrum Geography, Grade 3: Communities

Spectrum Geography, Grade 3: Communities


Spectrum Geography, Grade 3: Communities


Get Free Ebook Spectrum Geography, Grade 3: Communities

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As understood, easy book doesn't suggest straightforward message and also impression to obtain from guide. You may not have the ability to measure how relevance this Spectrum Geography, Grade 3: Communities is unless you review and finish it. When someone really feels that this book is very important, just what about you? Yeah, everyone will certainly have their own preferred books. However, that's not mistake to try checking out other book to improve the impact and minds concerning something.

Spectrum Geography, Grade 3: Communities

Size:Grade 3

 | 

Color:Communities

From the Back Cover

Supporting your child’s educational journey every step of the way.Spectrum® provides specific support in the skills and standards that your child is learning in today’s classroom.• Comprehensive, grade-specific titles to prepare for the year ahead•

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Product details

Size: Grade 3 | Color: Communities

Age Range: 8 - 9 years

Grade Level: 3 and up

Series: Spectrum

Paperback: 128 pages

Publisher: Spectrum; Workbook edition (January 15, 2015)

Language: English

ISBN-10: 1483813002

ISBN-13: 978-1483813004

Product Dimensions:

8.4 x 0.3 x 10.8 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#41,459 in Books (See Top 100 in Books)

We use this for our homeschool geography curriculum. This book is not too in-depth but is still quite good at covering each topic and giving a small accompanying assignment. They read one page on the topic and the next page asks them questions or has them do a worksheet or small assignment about the topic that relates to the text they just read.Spectrum's other books: the science books are great for topic starters but know that you'll need to supplement to reinforce the concept. I DO recommend Spectrum's Writing and Language Arts book, too. We also use them and those particular books are really great. Keep in mind that supplements might be necessary depending on your child and how well they grasp and retain the concepts from the start.

I've been using this series (reading and writing mainly) with my esl son for several years and they are very good. We don't have anyone who speaks english around us so we do these books daily.Progressive language and grammar is helping him learn to read and write without too much hassle. He is interested in the stories, and right now, very interested in geography and land formations. So this is perfect.

I think that this book was more in depth that what they teach at the public schools at his grade level. The book has a lot of map and legend problems.

It’s good, fun and interesting for my son. Obviously need some support and guidance

I was looking for an easy geography curriculum to supplement our history studies. These Spectrum workbooks are perfect. They are easy to follow and my kids have learned a lot.

Just got them time for my son to hit the books.

teachers like the book

Spectrum anything is super high quality!

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Selasa, 10 November 2015

PDF Ebook Friday Black, by Nana Kwame Adjei-Brenyah

PDF Ebook Friday Black, by Nana Kwame Adjei-Brenyah

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Friday Black, by Nana Kwame Adjei-Brenyah

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Friday Black, by Nana Kwame Adjei-Brenyah

Review

Praise for Friday BlackINSTANT NEW YORK TIMES BESTSELLER Named a Best Book by:New York Times, TIME, Elle, Entertainment Weekly, Huffington Post, Guardian, BuzzFeed, Newsweek,Harper’s Bazaar, Nylon, Boston Globe, Southern Living, O, the Oprah Magazine,Chicago Tribune, The Verge, The Root,Vulture, Philadelphia Inquirer, The Millions, New York Observer, Literary Hub, Color Lines,PopSugar, PEN America, The Rumpus, BookPage,St. Louis Post-Dispatch,the CBC, Longreads,Publishers Weekly, Kirkus, Milwaukee Journal Sentinel, Library Journal, The Big Issue, Chicago Public Library, My Domaine, Locus Magazine,Bookish, Read It Forward,Entropy Magazine, WAMC, Hudson Booksellers, and The Seattle Review of BooksOne of the National Book Foundation’s “5 Under 35” honorees, chosen by Colson WhiteheadWinner of the PEN/Jean Stein Book AwardOne of the New York Times' 100 Notable Books of 2018Finalist for the National Book Critics Circle's John Leonard Award for Best First BookFinalist for the Aspen Words Literary PrizeAn Indie Next PickLonglisted for the Carnegie Medal of Excellence in FictionLonglisted for the Dylan Thomas PrizeA National Indie Bestseller A Los Angeles Times Bestseller A Boston Globe BestsellerA New York Times Editors' ChoiceA 2019 Notable Book from the American Library Association “A powerful and important and strange and beautiful collection of stories . . . An unbelievable debut, one that announces a new and necessary American voice . . . A dystopian story collection as full of violence as it is of heart. To achieve such an honest pairing of gore with tenderness is no small feat . . . Violence is only gratuitous when it serves no purpose, and throughout Friday Black we are aware that the violence is crucially related to both what is happening in America now, and what happened in its bloody and brutal history . . . In smart, terse prose, Adjei-Brenyah is unflinching, and willing, in most of these 12 stories, to leave us without any apparent hope. But the hope is there—or if it isn’t hope, it’s maybe something better: levelheaded, compassionate protagonists, with just enough integrity and ambivalence that they never feel sentimental. Each of these individuals carries a subtle clarity about what matters most when nothing makes sense in these strange and brutal worlds he builds . . . Adjei-Brenyah’s voice here is as powerful and original as Saunders’s is throughout Tenth of December . . . [Adjei-Brenyah] is here to signal a warning, or perhaps just to say this is what it feels like, in stories that move and breathe and explode on the page. In Friday Black, the dystopian future Adjei-Brenyah depicts—like all great dystopian fiction—is bleakly futuristic only on its surface. At its center, each story—sharp as a knife—points to right now.” —Tommy Orange, New York Times Book Review “Strange, dark and sometimes unnervingly funny . . . The [titular] story is a not-so-subtle critique of consumerism run amok. But like all effective satire, there’s a glint of truth and accumulation of mundane details that make the farcical scenario feel plausible . . . [Friday Black] uses fantasy and scorching satire to tackle issues like school shootings, abortion, racism, the callowness of commercialism, and how cyclical violence can be passed on across generations . . . Adjei-Brenyah renders prosaic scenarios unfamiliar by adding a surreal, disorienting twist.” —Alexandra Alter, The New York Times "I can't remember the last book that has moved, unsettled, inspired me the way Nana Kwame Adjei-Brenyah's Friday Black did. From challenging the reader's unconscious biases through a narrator who rates his "Blackness" on a 1-10 scale, to creating a semi-speculative thought experiment in which racism is treated as a cultural pastime, these are stories in which the satirical humor cuts as deep as its gritty violence." —Lauren Christensen, The New York Times "Impressive...There's enormous talent on display in Friday Black." —Wall Street Journal “This pitch-dark, brutal, occasionally—mercifully!—funny collection of stories takes on the insidious nature of racism and the horrors of capitalism in equal measure and somehow ends up hopeful on the other side. Friday Black is enraging, it’s inventive . . . Much like living through this year, the experience of reading Nana Kwame Adjei-Brenyah’s debut can be harrowing, but it’s ultimately a pleasure to be in the company of a new voice as exciting as this.” —Vogue "In this vivid, original story collection, Adjei-­Brenyah presents ­America in all its racism, weirdness and abject consumerism." —TIME "Surreal, sobering, and tender all at once, this debut collection shines a laser-sharp light on the experience of being black in today's America." —People “Fearless...[A] major literary debut . . . Unnervingly unpredictable . . . Friday Black ought to land as publishing’s definitive addition to an exciting pop culture trend: new black surrealism. Films such as Get Out and Sorry to Bother You, or Donald Glover projects like Atlanta and “This Is America,” derive political power from a kind of absurdist framing, which this book shares . . . Adjei-Brenyah executes his premises with an elegant Black Mirror-like realism...In their gnarly intensity, their polemical potency, they hit us where we live, here and now. Sometimes it takes a wild mind to speak the plainest truth.” —Entertainment Weekly "Adjei-Brenyah’s surreal, dystopian Friday Black is 2018's avant-garde darling." —Entertainment Weekly, "The Oscars of the Book World" “One of the most anticipated literary debuts of the fall, Friday Black veers between the surreal and the satirical in its bold take on being young and black in America.” —Entertainment Weekly, Most Anticipated Books of October “[A] knockout . . . illuminate[s] unsettling truths about the world.” —Elle “Like Kurt Vonnegut, the debut author introduces readers to worlds adjacent to our reality. They’re familiar enough for us to recognize ourselves within them—until Adjei-Brenyah takes the tough-to-stomach parts of humanity to extremes, like Black Friday shoppers turning into violent, materialistic murderers. The stories wrestle with racism, mob mentality, police violence, and unrestrained consumerism. They’re quick to read, and incredibly hard to forget.” —Elle, “Best Books of the Year So Far” "Picks up where Boots Riley’s film, Sorry to Bother You, left off, tackling racism in the U.S. jarringly and head-on...Tense, emotional." —Vanity Fair "Inventive and stirring...Ingenious...[His stories] are so daring and mind-bending that you haven’t a clue where he’s going to take you...Adjei-Brenyah is a versatile writer who creates a micro-universe with each story that explodes our expectations and takes us inside frustrated lives." —Bernardine Evaristo, Guardian "Standout." —Guardian, Best Fiction of the Year "Surreal, startling...Composed with brio and rare imaginative power, Friday Black recaptures the strange fear and excitement we first feel as child readers, when we begin to learn that Grimms’ fairytales are approximations of the real world." —Guardian “Reading Nana Kwame Adjei-Brenyah’s debut short story collection Friday Black is like being shaken awake. These stories exist in a sort of hyperreality, ordinary characters living in the not-so-unbelievable, Black Mirror–esque future of a culture that doesn't hesitate to commodify cruelty or monetize revolution . . . Adjei-Brenyah skewers the ways we brush past racism and injustice, making the absurdity of the rhetoric around both impossible to ignore.” —BuzzFeed "Yes, anyone who likes Saunders should read Friday Black right away. Anyone who could take or leave Saunders should, too...No comparison can convey a book's intellectual heft, and Friday Black is as intellectually hefty as fiction can get. In these twelve stories, Adjei-Brenyah turns over ideas about racism, about classism and capitalism, about the apocalypse, and, most of all, about the corrosive power of belief. His work is fiercely, spikily funny. And no matter how supernatural his stories get, no matter how zombie-ish or futuristic, every one of them takes place in the world we know...Adjei-Brenyah has some serious powers himself. The energy in his fiction is wild, barely controllable yet perfectly controlled. Short stories, as a form, tend to compress big emotion into small action, but not these. Adjei-Brenyah fits big emotion, big action, and big thought into each story. His violence is never gratuitous, his ghosts never too chain-rattling to believe...Adjei-Brenyah speaks in more voices than seems possible, and those voices will follow you off the page...They will assert themselves, over and over. I'm here, these stories say. Sit up. Pay attention. I'm here." —NPR Books “This collection is nothing short of astounding.” —Nick Petrulakis, Boston Globe “Adjei-Brenyah’s collection promises a searing, exacting look at injustice in America, from the quotidian to the systemic, delivered in a way that makes it impossible to look away.” —Huffington Post “Imagine a cross betweenGet Out and Ralph Ellison’s Invisible Man, and you’ll have a sense of what awaits readers of this audacious debut: darkly absurdist tales that take the horrors of racism to surreal new levels.” —O, the Oprah Magazine “The edge of the stories in Nana Kwame Adjei-Brenyah’s debut collection Friday Black is razor sharp, ready to cut deep. This book is dark and captivating and essential. This book is a call to arms and a condemnation. Adjei-Brenyah offers powerful prose as parable. The writing in this outstanding collection will make you hurt and demand your hope. Read this book. Marvel at the intelligence of each of these stories and what they reveal about racism, capitalism, complacency and their insidious reach.” —Roxane Gay “For literature to bring forth such an astonishing new voice as Nana K. Adjei-Brenyah’s—tender and furious, wise and wise-assed—marks a major leap forward for us all. The very first story brought me to tears, putting me in mind of Babel or Chekhov. And Adjei-Brenyah keeps doing that—dragging you through dystopic muck and mire before landing you in a transcendent spiritual place. This is the fiction debut of the year, and I can’t cheer it loudly enough. Bravo, young man. We await your encore.” —Mary Karr “These stories are an excitement and a wonder: strange, crazed, urgent and funny, yet classical in the way they take on stubborn human problems: the depravities of capitalism, love struggling to assert itself within heartless systems. The wildly talented Adjei-Brenyah has made these edgy tales immensely charming, via his resolute, heartful, immensely likeable narrators, capable of seeing the world as blessed and cursed at once.” —George Saunders "Straight up breathtaking. I always love to read a book and think 'I have no goddamn idea how this person is this good.' It's so good."—Samantha Irby“Stunning . . . Adjei-Brenyah grapples with many of the most complicated, essential issues of today, from the evils of racism and capitalism to the ways in which violence and inequality are expected parts of life for so many people in America. Adjei-Brenyah's prose grabs you from the beginning and doesn't loosen its grip, as it takes you into the dark corners of the American experience, with a lyricism, dark wit, and palpable emotional weight.” —Nylon “Searing . . . Adjei-Brenyah examines, with dark humor and urgent insight, what it’s like to be young and black in America . . . These satirical tales tackle violence, injustice and rampant consumerism with brutal honesty.” —Chicago Tribune "Striking and topical...This high-concept and morally rich collection is discomfiting and moving, savage in its social critique yet generous towards its characters. It ends with a lovely, tempered note of hope...The stories that Adjei-Brenyah tells are terrifying. But, in our reading them, at least we’re not alone." —Boston Globe "One of the most exciting fictiondebuts of the year...By turns funny, tragic, and unsettling, Adjei-Brenyah’s stories work their way under your skin and stay there, leaping out at you when you least expect it." —Vox “The stories in this collection are aching and powerful dispatches on race, violence, and the modern world.” —Southern Living "Like taking a direct hit from a fellow shopper on Black Friday, this book will knock the wind out of you. Adjei-Brenyah's utterly fresh debut feels like a marriage between the chilling 'battle royale' scene in Ralph Ellison's Invisible Man and the boundary-leaping fiction of George Saunders...Piercing...Adjei-Brenyah writes with mind-blowing imagination and a heart on fire, like he has X-ray vision to penetrate the American soul." —Dallas Morning News “George Saunders for the post-Obama era, with some Paul Beatty sprinkled in, Adjei-Brenyah takes the absurdities of racism and other American ills to comic-dystopian extremes in her debut short story collection . . . Tenderness pokes through.” —Vulture, Best Books of October “The stories in this debut collection warp the dark realities of American racism into vicious satire.” —Vulture, Most Anticipated Books of the Fall “Adjei-Brenyah takes the absurdities of racism and other ills to comic-dystopian extremes.” —Vulture, “To Do: Oct 17-31, 2018” "Darkly humorous satire of the dystopic results of an American culture conditioned to accept the excesses of capitalism, racism, and structural violence as the norm. The extraordinary becomes quotidian. And somehow Adjei-Brenyah retains a semblance of hope." —Mychal Denzel Smith, Electric Literature “Adjei-Brenyah's caustically inventive and audaciously topical debut collection of short stories wastes no time in letting you know where the author stands . . . There is anger in this collection, but also nuance, grace and a probing empathy with the breaking hearts and bemused emotions of men, women and children struggling to deal with the jolting maelstrom of postmillennial American racism . . . Adjei-Brenyah may well be the most provocative among a startlingly promising group of young African American short-fiction writers (Nafissa Thompson-Spires, JM  Holmes, Jamel Brinkley) who have emerged this year. His mordant wit, dystopian visions and keen sense of injustice aren’t just intended to shock the reader but also to provide space to contemplate myriad social traumas and their close-to-the-bone effects on people’s lives . . . [In the story] “In Retail,” [the] narrator, after mentioning the suicide of a cashier, says, '[I]f you wanna be happy here in the Prominent Mall you have to dig happiness up, ‘cause it’s not gonna just walk up to you and ask how you’re doing.' That observation, as much as any in “Friday Black,” could encapsulate what these bleak, funny and oddly heartfelt stories are trying to tell their readers: In the most trying and bewildering times, don’t expect sense to be easily made or grace to force its way in your lives. Make your own sense of things. Let the grace come to you.” —Newsday “Disturbingly dark and extremely brilliant . . . While the wild inventiveness and piercing insights of Adjei-Brenyah’s stories could be described as Saunders-esque, the tough, nimble prose, which isn’t afraid to turn brutal or heartbreaking, is purely his own invention.” —Interview Magazine “Satirical, edgy, fresh, hard-hitting.” —Philadelphia Inquirer “Tackling issues like criminal justice, consumerism, and racism, these timely stories are searching for humanity in a brutal world. The collection is both heartbreaking and hopeful.” —The Millions “The stories in the collection have a dystopian bent and are told with dark humor and a clear-eyed understanding of human failings.” —Poets & Writers “Compelling . . . A satirical yet unflinching look at what it’s like to be black and young in America.” —New York Observer "Friday Black announces the bold and innovative voice of Nana Kwame Adjei-Brenyah. His 12 fierce stories animate — and, at times, amplify — a truly devastating portrait of race relations in our country today...Adjei-Brenyah’s debut collection very much falls within the literary continuum of The Underground Railroad, a sort of contemporary, satirical counterpart to [Colson] Whitehead’s novel about slavery...Adjei-Brenyah is clearly creating his own world here — and readers need to pay attention." —San Francisco Chronicle "Black Mirror meets George Saunders meets Get Out; that’s how I would characterize Adjei-Brenyah’s bleak, tender, darkly satirical debut collection, which creates indelible absurdist dystopias in order to magnify what it means to be black in America...The best stories in Friday Black are brutal, breathtaking nightmares that will stay with you long after the final pages are turned." —Literary Hub “A captivating exploration into the urgent issues facing black men and women today . . . The stories collected here are raw and in your face and at times explosive, all of which make it one of the year's most searing debuts.” —PopSugar "By pursuing this human need to belong (and also resist), Adjei-Brenyah gives us stories that are covered in dystopian gloom but also imbued with an illuminating hope. Whether his characters are on the bus, at a fortune teller’s, or in a hospital room, Adjei-Brenyah’s stories convey the wide range of human experience and the endless limits of imagination." —The Rumpus "Strange, dark...Its satire is the blackest of black, asking hard questions about race, about consumerism, about savagery in both the world imagined and the world around us...For all the misery and death in the book, it's a wicked-good read dashed with warmth, hope and humor. [Adjei-Brenyah] hasn't given up on homo sapiens. Far from it...Yes, there's suffering. Yes, people of color die at the hands of systemic racism. Yes, he takes all of those truths and inflates them in fiction, pushing them to head-cracking extremes, warping them into a vivid panoply of dark fables peopled with ordinary folk. But to paraphrase Monty Python, we're not dead yet." —Albany Times-Union "An unflinching examination of the world we live in told through science fiction, humor and satire. By stretching the ordinary into extraordinary, Friday Black takes on race, consumerism, violence and complacency with remarkable skill and poise...Adjei-Brenyah's style allows readers to question themselves, their communities, and ultimately the world." —Syracuse Post Standard "Cutting from start to finish, a deep stare into the sociocultural abyss shot through with bleak humor...Adjei-Brenyah prods at tropes and expectations to create affective and moving stories...Adjei-Brenyah creates sweeps of dystopic horror that don’t appear much different from the present moment at all. Nothing in Friday Black feels impossible or unreal; in fact, the punch of the constant violence is that it’s utterly plausible despite the purposeful edginess of literary surrealism. Issues of authority, power, and social violence are dealt with as sticky webs, hideous and interrelated, whose effects are all-encompassing and inescapable...The perspective Adjei-Brenyah is offering on black masculinities in America is vital and significant. He is also working with a set of literary tropes (and a style of edge-pushing short fiction in particular) that are reminiscent of Chuck Palahniuk...The collection is multifaceted, provocative, and focused first on affect. His willingness to explore ethical and emotional complexity, offering incisive portrayals and few simple answers, gives Friday Black the kind of heft I don’t see often in short fiction debuts...An important book for our contemporary political moment." —Tor.com "Exceptional...Adjei-Brenyah has unleashed a ferociously indignant howl against America's worst impulses...The astonishing intensity of Adjei-Brenyah's scenarios are so at odds with the measured, almost workmanlike prose used to convey them that the extreme suddenly seems uncomfortably less outlandish...Time and again, Adjei-Brenyah's audacious magnifying glass reveals startling truths...There is subtlety here, too, which adds to the emotional weight of these stories...But without a doubt, it is the perversion of the familiar that shocks the most, because while these stories are exaggerated, they are frighteningly recognizable." —amNewYork "These stories magnify what it means to be black in America—wherein your very presence can be deemed threatening, and therefore worthy of capital punishment—through a satirical, uncanny lens, reflecting back just how absurd and dehumanizing our reality is. They force us to reckon with our country’s toxic racism and consumerism while being compulsively readable and somehow even funny...America might be dehumanizing, Adjei-Brenyah seems to say, but we can still be human." —BOMB “Each of Adjei-Brenyah’s characters deals with the numbness that comes after the shock of death wears off—and the pain that arises when that shock doesn’t fade. This is a difficult read and a twisting meditation on a world where love’s gone missing.” —BookPage "In 2018 one intoxicating short story collection cried out for special attention among its lauded peers, and Nana Kwame Adjei-Brenyah’s Friday Black has haunted our dreams and plagued our nightmares ever since...[An] exhilarating blend of wildfire imagination, blood-freezing terror and ingenious wit...This is a book not easily forgotten. Its bold ideas and vivid metaphors creep into your brain at unexpected moments, like a unrelenting earworm suddenly singing on your head while you attempt to conduct a conversation, catch a train or follow a complicated movie plot. It’s hard to read a story about white misperceptions or racially-aggravated injustice, or even to look upon a young black man slouching under a baseball cap without an image from Friday Black pushing its way to the front of your brain, forcing you to process the everyday through an Adjei-Brenyah filter. Adjei-Brenyah, the son of Ghanese immigrants, has landed on the literary scene fully loaded, full of inventive and provocative ways to make his readers sit up and think again – think harder – about the lives of black Americans. Like the two landmarks in contemporary black American pop culture his book is most frequently compared to – Jordan Peele’s movie Get Out and Childish Gambino’s video for This is America – it weaponises hyperbole, fantasy, horror and surrealism to create a high-impact dystopian vision of its native subject. Whether taking stock of a real life game in which contestants can safely relieve their violent, racist fantasies by ‘murdering’ black actors, or considering an existence in which your skin colour can be dialled up or down according to your choice of headgear, fabric, or walking style, Friday Black will make you reassess the way you conduct yourself in the world. That it achieves such a feat without sacrificing the pleasure of a rousing plot, or the satisfaction of an immediately arresting character is testament to its rookie writer’s understanding of what makes a compulsive short story. As its readership blossoms under the sinister rain clouds of Trump’s demagoguery, Adjei-Brenyah’s debut offers a demonic alternative vision of America which will impact on every reader which pays proper attention. It will change the way its white consumers look at black people. This is black power, 2018 style. Underestimate it at your peril." —The Big Issue, Book of the Year “Unflinching in its criticism of pervasive elements in modern America, tackling racial injustices, capitalism, school shootings, and more. Yet, even in pressing hot button issues, these stories remain firmly rooted in the people who inhabit them, calling for empathy even, and especially, for the characters who seem to least deserve it . . . Adjei-Brenyah is far from the first to attempt to tackle the issues plaguing American society through literature, but the ingenuity of his premises works to set this collection apart from the rest . . . The book’s prime accomplishment is in inspiring empathy for the marginalized and the feared . . . Adjei-Brenyah is effective in asking not for forgiveness, but for understanding. Adjei-Brenyah uses a lens of exaggeration to lay bare harsh truths about our reality and dares his reader not to flinch. Friday Black is a strong debut collection that introduces a demanding young voice. Hopefully, for all our sakes, this author has plenty more words left in him to share.” —Harvard Crimson “Friday Black’s subject is race, and the stories take on prejudice, racism, and American culture at large in a vivid and memorable way.” —Bookish “Remarkable in its honesty regarding the horrendous fantasy-life many white people in American still lead, while also critiquing the systems that allow for it . . . Imaginative . . . At first glance, you may think these tales are over the top, but look again: their expansion of real-life events, their critique of where we might be going, and their needling love for the characters harmed prove these stories are written by a visionary intent on showing us the less-than-moral mirror we’re reflected in. A book to both enjoy and make you pause uncomfortably, it’s well-worth the read.” —Read It Forward “In Friday Black, Nana Kwame Adjei-Brenyah presents us with a dystopia that, unfortunately, doesn’t seem too removed from our reality . . . Yet the stories are charming and caustic, memorable because they are full of sharp characters who are aware that their world is upside down . . . Adjei-Brenyah lays out the many ways the enlightened interact with a broken world: they laugh, cry, shake their fists at it, or remain indifferent. But through Friday Black, the author not only validates the struggle of the discerning but reminds them they are not alone in being right.” —Columbia Journal “Edgy humor and fierce imagery coexist in these stories with shrewd characterization and humane intelligence, inspired by volatile material sliced off the front pages . . . Yet Adjei-Brenyah brings to what pundits label our 'ongoing racial dialogue' a deadpan style, an acerbic perspective, and a wicked imagination that collectively upend readers' expectations . . . Corrosive dispatches from the divided heart of America.”—Kirkus Reviews, (Starred Review) “Adjei-Brenyah dissects the dehumanizing effects of capitalism and racism in this debut collection of stingingly satirical stories... Adjei-Brenyah has put readers on notice: his remarkable range, ingenious premises, and unflagging, momentous voice make this a first-rate collection.”—Publishers Weekly, ​(Starred Review) “Adjei-Brenyah's dozen stories are disturbingly spectacular, made even more so for what he does with magnifying and exposing the truth...Ominous and threatening, Adjei-Brenyah's debut is a resonating wake-up call to redefine and reclaim what remains of our humanity.” —Booklist, (Starred Review) “An urgent satiric voice”—Writers to Watch, Publishers Weekly “A striking collection, by turns witty, insightful and brutally honest. Adjei-Brenyah's inventive language conjures worlds with brevity, specificity and a dark, absurdist humor. An exciting voice.” —Charles Yu, author of How to Live Safely in a Science Fictional Universe and Sorry Please Thank You “Nana Kwame Adjei-Brenyah has written an exciting, dazzling collection of stories. He writes with a ferocious wit and a big heart. His inventive fictional worlds speak both directly and covertly to this political moment in unexpected and fresh ways. Friday Black marks the thrilling debut of an important new voice in fiction.” —Dana Spiotta, author of the National Book Award finalist Eat the Document and Innocents and Others “Nana Kwame Adjei-Brenyah is a name you better get used to saying. The funny, uncompromising voice heard here for the first time, one that’s not afraid to wander past the checkpoints of realism in order to get at the nature of the American real, will be with us for a long time to come. 'The Finkelstein Five' already reads like a classic, even though it stings like it was written this morning.” —Jonathan Dee, author of the Pulitzer Prize finalist The Privileges and The Locals “Prescient, dark, and deeply empathetic, visceral and inventive, these stories announce Adjei-Brenyah as both an astute cultural critic and a truthteller.” —Nafissa Thompson-Spires, author of Heads of the Colored People “Friday Black offers us a glimpse of a world held together by both hope and rage. At once strange and hypnotic, uncompromising and merciful, these stories spring from a generous and vivid imagination, singular and expansive. Nana Kwame Adjei-Brenyah offers us a vision of America as we know it, in prose that leads us towards the spectacular and humbles us in its fullness. Follow every advice that tells you to read this book.”—Maaza Mengiste, author of Beneath the Lion's Gaze“Adjei-Brenyah's haunting collection is a work of modern-day surrealism, offering us tales which speak to the travesties of our time. Here are the stories of Trayvon Martin, of school shootings, of bloodthirsty capitalism and its unending injustices.  And here, too, are stories of good people engaged in the spiritual work of love and kindness. Adjei-Brenyah is a radical absurdist, telling truth-tales to help us all see our world more clearly. ”—Alexander Weinstein, author of Children of the New World “Nana Kwame Adjei-Brenyah has a cool eye, bright mind, and high style. His stories are solid, they're unusual, imaginative, disturbing, wry, tender, funny. Bursting with surprising language and formal invention, they plant the zeitgeist onto the page. It lives in Friday Black, in all its complexity, trouble, and possibility. Writing this distinctive and good, especially in our uneasy time, is genuinely a cause for celebration.”—Lynne Tillman, author of Men and Apparitions “Riveting. Every word. An impassioned interrogation of the human condition on the blackhand side, a true work of wonder, just reeking of significance. Here be Nana Kwame, scaling all manner of emotional registers while maintaining a stunning textual authority. And just when you think you've settled in, here comes Anansi and the Twelve-Tongued God working other dimensions in a seamless blend. He makes it look effortless but the clarity of the craft is self-evident, a numinous voice powering stories and characters that will inhabit your consciousness long after you've finished it and tried to put it down. In this impressive debut of a literary voice both new and edgy, we find an ancient griot telling stories of startling grace, gathering folk around the sacred fire and word by word forging the visions without which the people would perish. Testimony.” —Arthur Flowers, author of Another Good Loving Blues and I See the Promised Land

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About the Author

NANA KWAME ADJEI-BRENYAH has an MFA from Syracuse University. His work has appeared or is forthcoming in numerous publications, including Guernica, Printer's Row, and Breakwater Review, where ZZ Packer awarded him the Breakwater Review Fiction Prize.

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Product details

Paperback: 208 pages

Publisher: Mariner Books; First Edition edition (October 23, 2018)

Language: English

ISBN-10: 1328911241

ISBN-13: 978-1328911247

Product Dimensions:

5.3 x 0.6 x 8 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

57 customer reviews

Amazon Best Sellers Rank:

#10,072 in Books (See Top 100 in Books)

Friday Black, Nana Kwame Adjei-Brenyah’s collection of short stories is stunning. Absolutely stunning. The first two—The Finkelstein 5 and The Era are chilling in their depiction of and resemblance to today’s society. There is a lovely vignette titled “Things My Mother Said” interspersed between but it is more aphorism than story. The Era imagines a dystopian future, while F5 is a slight exaggeration of today’s racist tropes and behavior (so slight as to be truly terrifying).What is different about F5 is the response of Emmanuel and a band of enraged blacks that have finally had enough. Its rage and its righteousness cut to the quick. Both stories shine and resonate with a sparse prose embellished by tremendous passion and fury or the opposite—a zombie-like stasis induced by “The Good”. The Era freezes the soul with an indifference to the disenfranchised that is merely a tilt in the lens from the present day.In both tales real emotion; true feeling and experience is continually repressed, denied, delayed until it simmers and then boils over with explosive consequence. In F5 the author calculates “blackness” on a scale of 1-10 in ways that are hilarious and heartbreaking. Every black person, especially men, must tamp it down to get by, though none can ever eliminate it entirely. The Hospital Where is a pitch-perfect immersion into the role of the story-teller and the fears and indignities inflicted upon the poor and the vulnerable. Dollops of magical realism remind the reader of Toni Morrison's Song of Solomon--without the soaring souls.Other stories are equally impressive; one or two, not so much. Lark Street, an imagining of a teenage girl’s aborting twin fetuses with the RU486 pill and her young boyfriend’s interaction with their unborn seemed contrived. For me though it was the exception. Zimmer Land is an interesting hybrid shining a harsh light on Florida's Stand Your Ground law and the violent obsession of men with gaming. It feels though more like an episode of Black Mirror than a short story but perhaps that's the point. The last story, Through The Flash is a hybrid like none I've ever seen--Groundhog Day meets Fight Club meets Mad Max. Terrifying but affirming.Very few of these tales miss the mark by much, or at all. Most have that intrinsic quality found in all great literature—familiar and specific to a time and place (or people) but universal in themes and emotion. Friday Black is a great accomplishment; Nana Kwame Adjei-Brenyah is an enormous talent. Highly recommended.

in Finklestein Five, the character emmanuel regulates his blackness on a scale from ten to one, ten being the black man perceived by white society as a threat, and one is the black man able to merge into mainstream society based on the disappearance of any trace of blackness in dress and diction. his scale is thrown off kilter when a white man armed with a chain saw cuts off the heads of five black children standing outside a library. his court defense, he felt threatened. this is one of a few themes explored by adjei-brenyah, based on ideas discussed by toni morrison, the creation of a fictional character absent of racial identifiers as she showed in her novel, Paradise, situating a white woman in a group of black women without telling the reader which character was the white woman. Finklestein Five is a story of how racial neutrality as a gauge for acceptance and safety is impossible.in other stories, written as racial neutral, adjei-brenyah explores morrison’s idea closer. as he scrutinizes contemporary issues, one gets the impression the world is crazy enough without obsession of the racial other.the issues of our times, teen suicide, racial hatred, the calloused superiority of retail workers controlling shoppers lusting for material goods with bargains and sales, and tales of life after the apocalypse, explored by adjei-brenyah are closer to the footsteps of colson whitehead than cormac mccarthy, though readers of mccarthy should not overlook adjei-brenyah’s stories.the story Friday Black takes place in a big-box-store on black friday, the customers out for blood, literally, in their desire for one-time bargains. they grunt disconnected phrases about brand name products, a language not understood by many service workers, pressed to repel hordes of shopper zombies with sale items and deep cut bargains.imagine that george saunders and peter straub at his most gory as nana kwame adjei-brenyah’s uncles.when adjei-brenyan isn’t reveling in graphic violence he’s writing about mind numbing experiences of attending school within a dystopian system or working a low paying job, and questions what if these situations were forever.there’s an intelligence at work here, not a pretty intelligence, but it’s here. nana kwame adjei-brenyah is the kind of writer you want to hear more from.

Wow. Each of these stories left me wanting more and more. I honestly feel like the author could write a novel and expand on each of these stories, and I'd devour every one.The very first short story was scarily prophetic of where our society could be headed (no pun intended) if we continue on this long, winding path of hatred and racism. Even the first SENTENCE just hit me right in the chest.Zimmer Land really messed me up emotionally; I literally had to put the book down and walk away for a bit after that one.Friday Black was so thought provoking and had me reconsidering how much money and effort I put into purchasing useless *things* every holiday season.Each of these stories could stand on their own, but together they're an amazing collection of page-turning writing that I really didn't want to end. I cannot wait to see what this author does next.

When two of my favorite writers, Lynne Tillman and George Saunders, tout a book, when the book is compared in the NY Times to Ralph Ellison's, I have high expectations. Friday Black seems like one of the better manuscripts to come out of an MFA writing program. Exaggeration is not transformation. My disappointment helped me clarify what it is about the books I love that makes them singular.

Ok so there's dark and then pitch black. This dude gets downright grimy and grisley dark. Really well written post-apocalyptic fantasy uber realism that is hard to read and harder to put down. I admire the author's imagination and craftsmanship but I don't think I want to go for beers with him...

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